The Philosophy
The equipment that Larry uses has proven to be exactly the kind needed to capture a performance perfectly. He carefully selects the gear needed to meet the requirements of each individual concert - considering all the specific acoustic requirements so that your production line-up is tailor made.
Although top quality equipment is important to make a top quality recording, Larry does not believe that it should ever be the focus, recording. Instead he subscribes to the view that recordings are best considered in terms of:
The Musical Performance
The concept of Gesthalt - a wholistic process view - that systems function as wholes and that their functioning cannot be fully understood solely in terms of their component parts
KISS - no sense in over complicating for the sake of over complicating
The Gear
Microphones: Schoeps, DPA, Rode and Sennheiser
Editing and mixing: Pyramix workstation
All location recordings are made on a Nagra VI recorder with monitoring on Sennheiser Headphones
Monitoring is by Meyer HD1, AVI ADM9.1 and Grover Noting CR2 loudspeakers and Sennheiser HD650 Headphones